17553500
| Question | Answer |
| 3-2-1 Pattern (Make Four Important Points) | - You can use a passing seventh, but you need to dot it to avoid parallel fifths - You can use a iib as an approach to IC - You can add a 4-3 suspension to the V in quavers, but shouldn't be done unless confident - Passing note is vital for Ib-V-I bassline |
| 3-2-1 Pattern Basslines (Compose Two) |
Image:
3 2 1 (binary/octet-stream)
|
| 2-2-1 Pattern (Make Five Important Points) | - Suspensions, either the seventh of ii7b or the 4 of the V4-3, need prep and resolving in the same part - Suspended note will be the tonic of cadence key - You can use a passing seventh - Ib and vi are good approaches for ii7b - If approaching ii7b from vi and the preparation note is already in the bass, the third can be doubled |
| 2-2-1 Pattern Basslines (Compose Two) |
Image:
2 2 1 (binary/octet-stream)
|
| 8-7-8 Patterns (Make Five Important Points) | - If melodic pattern is not 8-8-7-8, a IC should be used - You cannot use a passing seventh - Suspensions, either seventh of ii7b or the 4 of the V4-2, need prep and resolving in the soprano part - Ib and vi are approaches for ii7b - iib without a seventh is an approach to IC |
| 8-7-8 Pattern Basslines (Compose Three) |
Image:
8 7 8 (binary/octet-stream)
|
| 6-7-8 Patterns (Make Three Important Points) | - viib-I is too weak a progression, but it should be preferred - Double the third in viib - Would work in the middle of a phrase |
| 6-7-8 Pattern Basslines (Compose Two) |
Image:
6 7 8 (binary/octet-stream)
|
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