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Description
Flashcards by Grace Gent, updated 9 months ago
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Created by Grace Gent
9 months ago
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| Question | Answer |
| Alexander Pope, "An Essay on Man" - neoclassical | |
| Phillis Wheatley, “Thoughts on the Works of Providence” - neoclassical | |
| Thomas Gray, "Ode on the Death of a Favourite Cat" - neoclassical - didactic | |
| Thomas Gray, "Elegy Written in a Country Churchyard" - neoclassical | |
| Anna Laetitia Barbauld “The Mouse’s Petition" | |
| Robert Burns, "To A Louse" - burns stanza - epigrammatic | |
| Robert Burns, "To a Mouse" - burns stanza - epigrammatic | |
| William Blake, “Introduction” to Songs of Innocence - Romantic - art with nature | |
| William Blake, "The Lamb" - Romantic - moving from symbolism to emotional encounters | |
| William Blake, "The Tyger" - Romantic - moving from symbolism to emotional encounters | |
| William Blake, "The Marriage of Heaven and Hell" - Romantic - the creation as a fall | |
| William Blake, "The Chimney Sweeper" - Romantic - epigrammatic | |
| Samuel Taylor Coleridge, “The Eolian Harp” - Romantic - poet as instrument - inspiration | |
| William Wordsworth, "Lines Written at a Small Distance from my House" - Romantic | |
| William Wordsworth, “Preface” to Lyrical Ballads - Romantic - instances of expansion (via poetry) | |
| William Wordsworth, “Lines Written a Few Miles Above Tintern Abbey” - Romantic - inspiration - nature | |
| insert | Lord Byron, “Darkness” - Romantic - inspiration - nightmares |
| insert | Percy Bysshe Shelley, “Ozymandias” - Romantic - presence of the past |
| Percy Bysshe Shelley, “Ode to the West Wind” - Romantic - inspiration - poet as instrument | |
| Percy Bysshe Shelley, excerpt from “A Defence of Poetry” - Romantic - inspiration - poet as instrument - role of art | |
| insert | John Keats, “Ode on a Grecian Urn” - Romantic - mortality, time - frozen in happy moment (?) - presence of the past |
| insert | John Keats, "Bright Star” - Romantic - mortality, time |
| insert | Felicia Hemans, “The Image in Lava” - Romantic - mortality, time (similar questions as Keats' "Grecian Urn") - presence of the past |
| insert | Mary Shelley, "Frankenstein, or the Modern Prometheus" - the Sublime - contrasted w cramped spaces in the novel (ex; the hovel) |
| insert | Mary Shelley, "Frankenstein, or the Modern Prometheus" - the domestic / the desire for the domestic |
| insert | Mary Shelley, "Frankenstein, or the Modern Prometheus" - isolation - sympathy (or lack thereof) |
| Mary Shelley, "Frankenstein, or the Modern Prometheus" - myths and acts of creation - parallel to potential horrors of Romantic inspiration | |
| insert | Nathaniel Hawthorne, “The Minister’s Black Veil” - symbolic ambiguity - we all have hidden sin; our own black veils |
| insert | Nathaniel Hawthorne, “The Birthmark” - symbolic ambiguity - had she been otherwise imperfect, mark = less noticeable - disability studies perspective |
| slides not posted? anyone have specific passages they remember being discussed? | Edgar Allan Poe, “The Man of the Crowd” |
| slides not posted? anyone have specific passages they remember being discussed? | Edgar Allan Poe, “The Black Cat” |
| slides not posted? anyone have specific passages they remember being discussed? | Walt Whitman, “Edgar Poe's Significance,” from Specimen Days |
| insert | Herman Melville, "Benito Cereno" - settler colonial setting - cognitive dissonance of the White Northerner - gothic language |
| insert | Herman Melville, "Benito Cereno" - 19th century racism - cognitive dissonance of the White Northerner |
| insert | Herman Melville, "Benito Cereno" - Babo's Theatre and African political strategy - Haitian revolution |
| insert | Herman Melville, "Benito Cereno" - how is history written? - limits of the archive, the violence that produces it |
| excerpts not on slides; review text | Frederick Douglass, "Narrative of the Life of Frederick Douglass, an American Slave" |
| insert | Robert Browning, “Porphyria’s Lover” - Victorian poet - first person - male desire is affected by power and possessiveness in objectification of women |
| insert | Robert Browning, “My Last Duchess” - Victorian poet - first person - male desire is affected by power and possessiveness in objectification of women |
| insert | Christina Rossetti, “Goblin Market” - Victorian poet - sisterhood - female desire |
| idk which dickinson excerpts to pull | dickinson! |
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