178868
| Pregunta | Respuesta |
| ESTABLISHING SHOT/ EXTREME LONG SHOT | Contains a large amount of landscape. It is often used at the beginning of a scene or a film to establish general setting/location. |
| LONG SHOT | -Real distance between the audience and the screen in a cinema. -Showing the entire human body, with the head near the top of the frame and the feet near the bottom. |
| MEDIUM SHOT | A figure from the knees/waist up and is normally used for dialogue scenes, or to show some detail of action. |
| CLOSE UP | -concentrates on either a face, or a specific detail -enables viewers to understand the character's emotions -allow them to feel empathy for the character. |
| EXTREME CLOSE UP | -an extreme version of the close up -magnifies beyond what the human eye would experience. -used for dramatic effect -creates an intense mood -provides interaction between the audience and the viewer. |
| OVER THE SHOULDER SHOT | -Establish the position of each person, -Viewer is able to picture the other character point of view. |
| POINT OF VIEW SHOT | -Shows what a character is looking at -allows the viewer to feel the same emotions as the character. |
| HIGH ANGLE | -Angle that looks down upon a subject -Character will appear vulnerable or small. |
| BIRDS EYE VIEW ANGLE | Angle that looks directly down upon a scene. This angle is often used as an establishing angle, along with an extreme long shot, to establish setting. |
| EYE LEVEL | -Puts the audience on an equal footing with the character/s -Allows the viewers to feel comfortable with the characters |
| LOW ANGLE | -Camera angle that looks up at a character -Character will appear powerful |
| PANNING | Used to give the viewer a panoramic view of a set or setting |
| TRACKING | Gives the viewer a detailed tour of a situation |
| TILT | Shows detail on a subject up and down |
| ZOOM | Places importance on an object/subject or character. |
| MONTAGE | A succession of events over a long period of time. |
| CUT | -The splicing of 2 shots together -a rapid transition between one time and space and another |
| CROSS-CUT | -Cutting between different sets of action that can be occurring simultaneously or at different times -used to build suspense, or to show the relationship between the different sets of action. |
| DEEP FOCUS | A technique in which objects very near the camera as well as those far away are in focus at the same time. |
| SHALLOW FOCUS | where the depth of field is smaller keeping only one plane in sharp focus. |
| SHALLOW FOCUS | where the depth of field is smaller keeping only one plane in sharp focus. |
| DIEGETIC SOUND | Sound whose source is visible on the screen or whose source is implied to be present by the action of the film |
| NON-DIEGETIC SOUND | Sound whose source is neither visible on the screen nor has been implied to be present in the action |
| AURAL BRIDGE | Hearing the sound of the next shot before cutting to it – signals a transition |
| HIGH-KEY LIGHTING | Bright lightning, usually provided by one source of light. |
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