3573195
Descripción
Fichas por Rachel Hedley, actualizado hace más de 1 año
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Creado por Rachel Hedley
hace alrededor de 9 años
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| Pregunta | Respuesta |
| Arc Shot | A shot in which a moving camera circles round the subject being photographed. |
| Bridging Shot | A shot that connects one scene to another by showing a change in time and location. It can also be used to connect 2 shots from the same scene by using a close up or a different camera angle thus relating the shots via content. |
| Composition | The complete arrangement of a scene by a director. Including camera angles, lighting, properties, characters and movement of the actors. |
| Continuity Editing | The convention through which the impression of an unbroken continuum of space and time is suggested, constructing a consistent storyline out of takes made at different times. |
| Dissolve | The slow fading of one scene into another. |
| Dynamic Cutting | Combining a series of seemingly unrelated shots, objects, people, situations, details and characters on juxtaposition of one another. (a form of montage) |
| Frontality | The placing of the camera at a 90 angle to the action. |
| Graphic Match | A visual rhyme between two successive shots. |
| Match on Action | A cut between 2 shots of the same action from different positions, giving an impression of seamless simultaneity. |
| Parallel Action | Aspects of a story happening simultaneously with the primary performer's situation, edited so that the projected images goes back and forth between the primary and secondary scenes (often leading up to a convergence of the two actions) |
| Racking Focus | A shift in focus between planes at different distances from the camera within the shot. |
| Suture | The 'sewing' together of imaginary and symbolic in Hollywood cinema carried out by continuity editing. It serves to ensure the sense of unified narrative and subject position. |
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