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Post-Classical Cinema and Digital Apocolypse
Descripción
Undergraduate Film Mapa Mental sobre Post-Classical Cinema and Digital Apocolypse, creado por Fraya Locke el 23/02/2021.
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104
assessment
film
undergraduate
Mapa Mental por
Fraya Locke
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Fraya Locke
hace más de 3 años
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Resumen del Recurso
Post-Classical Cinema and Digital Apocolypse
Both CGI and photographic footage as 'real'
The viewer connects to what is shown on-screen regardless of where is originates from
As long as it is visually credible (Prince)
Opposing views of framing reality
"those directors who put their faith in the image and those who put their faith in reality" - Bazin
Dependant on the filmic and directorial style
Italian Neorealism
German Expressionism
James Cameron, Christopher Nolan, Steven Spielberg
Francis Ford Coppola, Vittorio De Sica
The creation of new worlds using CGI
Do they need to be based on reality to be realistic?
Is it any less believable?
Manipulating and controlling form to highten action on an expressive level rather than a realistic level
ie. superhero movies/action films
Does it make it less believable the less 'real' it is?
Focus on the spectacular visuals
Does this detract from the narrative importance? Or is there a balance?
Idea that technology destroys the narrative story
More about the weakness of the story than the strength of the technology
CGI films as 'virtual reality'
Associations with CGI as computer-generated spectacle vs serious, realistic films
Photographic films as exploring a self-awareness within the audience
CGI films as purely surface level awareness, focused on the phenomenal
Is 3D more immersive and therefore more realistic?
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