Influenced by a desire to portray a 3D object on a 2D surface.
Break away from the use of illusory space based on atmospheric perspective of the Renaissance.
Wanted to preserve the integrity of flat picture plane.
Reorganised pictorial form and space
Interconnecting cuboid facets
Influenced by: Primitivism
Picasso: Iberian and African art for they presented 'rawness and vigour"
STAGE TWO
Facet Cubism- wood
Important works
Portrait of Gertrude Stein, Picasso, 1905
Les Desmoiselles d'Avignon, Picasso, 1907
Grande Nu, Braque, 1907-8
Looks carved on the surface
Figures move forward- cool background tones and warm foreground tones
Hatching used to create facets and show direction
Continuation of African influence- mask like faces, striations, 'carved plane'
Multiple viewpoints
Space looks more solid- figure and space more integrated.
Diagonal brushstrokes- different ways
Important works
Nude with Draperies, Picasso, 1907
Harbour in Nomandy, Braque
Woman with a Fan, Picasso, 1908
STAGE THREE
Facet Cubism- glass
Development of simultaneity and an analytical style
Trees and natural forms no longer included
Colour further restricted because it was too difficult to incorporate
When included- sky is faceted
Cezannian neutral palette
Conceptual rather than visible reality- inspire the abstract expressionists
Forms reduced to simple shapes
Important works
Reservoir at Horta, Picasso, 1909
Houses L'Estaque, 1908