fictitious narrative prose, longer than an anecdote, shorter than a novel
arabian nights, bible, homer
product of the 19th century
main purpose:to entertain, to treat serious themes
flourished as a result of competition of authors in newspapers
largely influenced by EdgarAllan Poe
language
colloquial styla
easy to
understand
like a recorded
conversation
economic use of rhetorical
devices
repetition and
symbols
structure
unique or single effect,every
word written is to be aimed at
achieving this wffect
confined to a single setting,
simple plot(single action), limited
set of characters
traditional sequence:exposition, rising
action, climax, turning point,
sad/happy/open ending, abrupt
opening-media res beginning, surprise
ending
the reader only gets to
know bits n pieces and this
creates suspense
more realistic
story
--suspense
a short
period of time
point of view
first person narrator
third person narrator
independent narrator with omniscient point of
view. outside the story , knowledge not
available to the characters , for example future
events, ,can analyze characters thoughts, pass
judgements and add comments--unlimited
point of view
independent narrator with
selective omniscient, outsight
the story, reveals thoughts
and feelings of some
characters, often confining
himself to the consciousness
of the main character
independent narrator with neutral point of view,
restricts himself to describing/reporting, does
not offer any insight into the characters life
messages
presentation of a universal
human problem
for the reader: challenge of an own
judgement, emotional involvement of the
reader, entertainment
content
ordinary every day people
experiences are often
every-day situations
that becomes a turning point in their
life(descisive moment
focused on the essential contents
presented an obvious situation
mostly flat characters
unity of effect or
impression(the
reader is at the
writers control