"you were the Ratcatcher.
Those were his eyes, his face..."
Eva/Evelyn
to Helga
English program to try to
save the Jewish children
from Nazi control.
10,000 children
fund refuge in
England
CHARACTERS
FAITH
in her eary 20's. living with
her mother who she is
affectionate with but also
holds some resentment for
"i have a background a
context"
EVELYN
very english, middle class. on
the surface is very poised and
contained. however as the
play goes on we learn of her
past and extreme internal
conflict
"a chipped glass is
ruined for ever"
metaphor
EVA
eveyln's younger self, 9 at the
time. she is German jewish by
birth however becomes
increasingly english. she is
unable to come with the truma of
the seperation and reunion with
her birth mother.
"i changed my name i
wanted an English name.
Nothing is the same any
more"
to Helga
LIL
Lil is Eva/Evelyn's adoptive
mother and could be a source for
Eva's identity change. She does
however have a close bond with
Faith.
"don't hide behind the
German. It won't protect
you and you know it"
to Eva
"she's still
your mam,
Faith"
HELGA
Helga transforms through out the
play starting of as affectionate yet
composed woman towards Eva to
an emotionally charged woman who
has suffered extreme physical and
mental challenges.
"Eva sew on
your buttons"
"because any good
parent would want
to protect their
child"
"snake.
Slithering out of
your self like it
was an
unwanted skin.
Worm"
to
Eva/Evelyn
"Hitler
started the
job and you
finished it"
RATCATCHER
he is a sinister and threatening figure
drawn from the Legend of the 'Pied
Piper'. All of the figures he represents
have some sort of threat to Eva's
identity throughout the play.
"i will take the
heart of happiness
away" (Ratcatcher)
"know your
number. If you
don't you might
forget who you
are" (Nazi Border
Guard)
"she should've stayed
where she belongs" (Station
Guard"
"thank you for
the lesson in
saluting! Heil
Hitler!"
(Postman)
- Nazi Border Official
- English Organiser
- The Postman
- The Station Guard
THEMES
FEAR
Helga fears for her
daughter when she in
insists that she
becomes independent
and learns to sew on a
button
her fear is controlled fear so
she doesn't upset Eva too
much. she believes she doing
the best for her child.
"Eva, sew on your
buttons now. Show me
you can do it"
Eva's fears are childhood fears
are represented by the
Ratcatcher
as the Ratcatcher
plays multiple
characters
(doubling) this
emphasies the fear
and
unpredictability of
Eva's life.
"you were the
Ratcatcher! Those were
his eyes, his face!"
'ratcatcher music' is also
played to increase
tension and dramatic
mood for the audience
stage
direction:
"Ratcatcher
music"
SEPERATION
in act one Eva is
separated from her
parents as possesses
innocence about the
experience. showing her
confusion to what is
happening
"Mutti!
Vatti
Hello!
Hello! See!
I did get in
the
carriage. I
said I
would."
different reaction
to departure from a
parent figure
when Lil takes Eva
to be evacuated she
faces another
separation and
leaps of the train.
This fear is marked
by the Ratcatcher
"he's coming to get me. He's
waiting in the shadows.
Don't make me go"
in the play 'the abyss'
could be understood to
signify the void that
being sparated from a
loved one created
"am i in the
abyss?" (Eva
after she jumps
of the train)
the ratcatcher
has the power
to pull children
away from their
parents
"weaves
around the
train's
chugging"
symbolic representation of the
separation of mother and
daughter
the train can also be a symbol of separation in the
play. The train is responsible for taking the
children away in a similar way to that which the
Jew's were taken to concentration camps.
symbolising what was
ulimatly their last journey
and the loss of hope of
reunion
Helga and Eva/Evelyn are
separated for a second time
when Eva/Evelyn refuses to
leave with Helga to New York
being separated from her
mother had a lasting effect
on Evelyn's life as she resents
Helga for not letting her stay
"didn't it ever occur to you
that i might have wanted to
die with you?"
this also leads to
Evelyn separating Faith
(ironically named) from
her true Jewish
identity
"a chipped glass is ruined for ever"
IDENTITY
Eva's idenity is
first restriced
when the Nazi
Border Official
labels her to a
number,
dehumanising
her. Eva is also
told not to forget
who she is both
by her mother
and guard.
"try to meet other Jews in England" (Helga)
"know your number......might
forget who you are" "draws a
Star of David" (stage direction)
signifying the Nazi belief that her
Jewish identity is something
negative which she should be
discriminated for
"3362, sir"
the conflict of idenity is
shown clearly with the
contrast between Eva and
Evelyn. When Helga
re-meets her daughter it's
therefore difficult for her
to understand what
happened to her Eva,
because Eva and Eveyln are
so different.
Helga tells Eva that
she shares her
grandmothers
name emphasising
how her identity is
grounded in her
family roots.
Evelyn has denied herself her culture
and root so in doing so denied Faith
of hers. When Faith confronts Evelyn
about the letters and photographs its
clear that the emotional truma of
burring her past created a lack of
understanding between Evelyn and
Faith.
Samuels contrasts the ideas of
remembering and forgetting, showing
how people are bound to identity and
their past. By illustrating the impact of
war on family and personal identity
through time.