In the extract, the enigmatic nature
of Hyde is presented through the
weather in Soho which appears as
squalid and sinful, just as Hyde is
'fog'
The pathetic fallacy
creates a mysterious
and sinister setting. It
helps to obscure the
truth behind who Hyde
really is
'brown as umber'
The simile reflects the fog
as dark brown in colour,
symbolising the decay
and moral decay of Hyde,
who chooses to live in
Soho. An area of poverty
and violence
Outwith the extract
Elsewhere in the novel, Hyde's
character is revealed through a
brutal attack on a young woman
'Ape-like fury'
The simile shows Hyde's animalistic nature
and his brutality. A contrast between
primal aggression and the instincts of
altruism, suggesting Hyde believes
someone will do him the favours he grants
other in the future
'My devil had
been long caged'
The metaphor makes
reference to hell,
appearing frequently
throughout the novel.
The image of an
enclosure is a further tie
to trapped animals
(symbolising how Hyde
feels trapped within
Jekyll), explaining Hyde's
erraticness. Both
references create
distinctly inhumane
emotions and actions
'great flame of anger'
The metaphor shows Hyde's
aggressive nature as the
flame ties him back to fires
and burning in hell.
Another connection to the
devil and Hyde's
resemblance of him
'I mauled the resisting body'
The word choice emphasises how Jekyll
is taking blame for the murder, and
enjoyed it. It is the first real notion that
the two halves of him are
connecting/merging. It clearly shows
that the evil side is winning
'self-destroyer'
The word choice highlights the
dehumanisation of Hyde after his death, it
conveys how Hyde took over the good in
Jekyll and evil consumed them both
'damned juggernaut'
The word choice illustrates how
violently Hyde trampled the girl,
and 'juggernaut' emphasises
the sheer force and power of
Hyde, despite his small stature
Duality
In the extract
In the extract, duality is presented
through the setting of Soho, reflecting the
evil nature of Hyde and in Jekyll's home
which reflects his good nature
'dismal quarter of Soho'
The word choice demonstates how the
area of London that Hyde lives in is
undesirable and seedy. It is known for
violence and illegal activities, mimicking
Hyde's villainous character
'furnished with luxury and
good taste'
The word choice shows
that the interior of Hyde's
house presents a distinct
duality to the character as
the room is pleasant and
respectable, reflecting
Jekyll's character
Outwith the extract
Elsewhere in the novel, Jekyll's house also reflects
the duality of the characters' good and evil as his
luxurious home shoulders a run down lab
'My master is built ...
more of a dwarf'
This description contrasts the appearance
of Jekyll and Hyde. They are polar opposites
- reflecting their duality - and opposites
attract, emphasising their connection to
each other
'pleasantest room in London'
The word choice shows that Jekyll's
house is inviting and respectable,
mirroring the persona he holds
within the community. He displays
duality by the secretive work he
does in the lab
'smiling saleswomen'
The word choice describes the
happy nature of Jekyll's home. It
contrasts with later description of
Soho to show opposition
'red baize'
The symbolism
connotes that the
lab is a gateway
to hell, showing
duality as this
gateway is
attached to to
Jekyll's home, a
well-respected
scientist, as he
has hidden Hyde
from the world
'A certain sinister block of buildings'
The word choice of 'sinister'
contrasts the lab to the rest
of the house. The lab is eerie
and imposing - reflecting the
corruption of Jekyll as Hyde
looms over him
'The two hands are in
many points identical'
The word choice of
'identical' links the
characters, even if only
in their handwriting. The
wording also suggests a
deeper connection is
present, like they are
guided by the same
principles
Setting
In the extract
In the extract, the district of
Soho is shown to be grim and
undesirable - which
successfully reflects Hyde's
character
'like the light of some strange conflagration'
The simile demonstrates how the
light is emitted from a fire and the
word choice of 'strange' suggests
that the fire is unnatural.
'conflagration' also suggests
destruction, the trait is shared with
the character of Hyde
'muddy ways'
The word choice suggests
how the mud covers the
road, a symbol that the
area is sinful and, much
like its roads, should be
hidden. This emphasises
the unpleasant
atmosphere
Outwith the extract
'premature twilight'
The metaphor insinuates
that Jekyll is nearing his
end as he spends
increasingly more time in
isolation during recent
months
Elsewhere in the novel, Jekyll's
home reflects his supposed
good nature as it is in a rich
and illustrious part of London
'red baize'
The word choice
serves as a symbol
for blood and
violence, this is
used to connect
Jekyll to Hyde and
foreshadow that
they are the same
person
'Three dusty windows barred with iron'
The word choice of 'barred' shows
how Jekyll is trapped behind the
bars of Hyde as his evil consumes
every ounce of goodness within
Jekyll, he feels trapped by his
presence and influence
'plunged into darkness'
The metaphor
connoted the
evilness of
Hyde that lays
dormant in
Jekyll, showing
the dual
nature of his
character - a
central theme
throughout
the novella
'A great air of wealth
and comfort'
The word choice of 'wealth
and comfort' creates a
contrast between Hyde's
residence in Soho and
suggests that Jekyll has
many luxuries that mirror
his good nature
'bright'
The word choice
creates a contrast
between the dingy
setting of Hyde's
house and the
well-lit residence of
Jekyll. This shows
his positivity and
respectability