OWNER OF BILRING
AND CO WHICH HIS SON,
ERIC, IS SOON TO TAKE
OVER.
'THIS IS ONE OF THE HAPPIEST NIGHTS OF MY LIFE'
This is not only because Sheila will be happy, but because
a merger with Crofts Limited will be good for his business.
OF A HIGH CLASS
AND SOCIAL STATUS
OVERLY OPTIMISTIC ABOUT WAR
AS WE KNOW THERE IS TWO WORLD WARS.
AUDIENCE STARTS TO QUESTION MR
BIRLING'S JUDGEMENT
WHAT ELSE WILL HE BE WRONG ABOUT
"heavy-looking, rather portentous
man in his middle fifties but rather
provincial in his speech."
WORKED HIS MAY UP IN THE WORLD
PROUD OF HIS ACHIEVEMENTS
WITH THIS HE TRIES TO IMPRESS THE INSPECTOR (AND
FAILS...) WITH HIS LOCAL STANDING AND INFLUENCIAL FRIENDS
HE LACKS MORAL RESPONSIBILITY
iS ONLY INTERESTED ABOUT LOOKING AFTER
HIMSELF AND HIS FAMILY
ISN'T AS SUPERIOR AS GERALD CROFT AND SO
CONSISTENTLY TRIES TO IMPRESS HIM
INSPECTOR GOOLE
MASSIVELY TAKES CHARGE OF THE SITUATION
ARRIVES UNEXPECTEDLY
IS AN OUTSIDER
DOES NOT HAVE MUCH IN COMMON WITH THE BIRLINGS
"THE RUDE WAY HE SPOKE TO MR
BIRLING AND ME - IT WAS QUITE
EXTRAORDINARY"
DESCRIBED AS 'AUTHORITATIVE' AND 'IMPOSING'
HIS PRESENCE FILLS THE ROOM
WORKS SYSTEMATICALLY
Is he the voice of Preistly?
MORAL: "WE DON'T LIVE ALONE.. WE ARE MEMBERS OF ONE BODY"
AUTHORITATIVE: "ALL IN GOOD TIME"
THE INSPECTOR KEEPS THE PLAY
ROLLING BY ASKING THE FAMILY PUSHY
QUESTIONS.
MAN OF AUTHORITY
"an impression of massiveness, solidity and purposefulness."
He seems to know and understand an extraordinary amount:
HE KNOWS EVERYTHING ABOUT EVA SMITHS
DEATH AND THE BIRLINGS INVOLVEMENT IN IT
Is he a ghost? Goole reminds us of 'ghoul'.
He is obviously in a great hurry towards the end of the play: he stresses "I haven't much
time." Does he know that the real inspector is shortly going to arrive?
Is he the voice of all our consciences?
Is he the voice of God?
MYSTERIOUS: "WAS IT A HOAX?"
SAYING WHAT OTHFORCES THE INFORMATION OUT OF PEOPLE BY
BLUNTLYER CHARACTERS TRY TO SKIRT AROUND.
"he's giving us the rope - so that we'll hang
ourselves."
MRS BIRLING
"about fifty, a rather cold woman and her husband's social superior."
SPEAKS PATRONISINGLY TOWARDS SHEILA AND ERIC AS THE STILL SEES
THEM AS CHILDREN
EXPLOITS HER POWER
BLIND TOWARDS HER OWN CHILDREN'S FLAWS AND
WORRIES
SHES SELF CENTERED
EVEN WHEN HER LANGUAGE IS POLITE HER TONE IS SEVERE AND SUPERIOR
NO MORAL RESPONSIBILITY
IRONY: SHE WORKS FOR A CHARITY,
BUT SHE ISN'T VERY CHARITABLE.
MRS. BIRLING DOES NOT CHANGE ALL
THROUGH OUT THE PLAY.
CLAIMS SHE DID THE RIGHT THING: "I
ACCEPT NO BLSME FOR IT ALL"
She is a snob, very aware of the differences between social classes.
HAS THE LEAST RESPECT FOR THE
INSPECTOR OUT OF ALL THE CHARACTERS
TRIES AND FAILS TO INTIMIDATE HIM AND FORCE HIM TO LEAVE
LIES TO THE INSPECTOR ABOUT KNOWING EVA WHEN SHE SEES
THE PHOTOGRAPH.
ADMITS SHE WAS PREJUDICED TOWARDS EVA AND SAW IT AS HER DUTY TO
DENY HER HELP.
SYBIL LIVES BY STRICT STANDARDS WHICH MAKER HER PREJUDICED
AGAINST ANY ONE OF A LOWER CLASS OR SOCIAL STATUS
ALTHOUGH IT'S HER 'STANDARDS' THAT
PUSH HER STRAIGHT INTO THE
INSPECTORS TRAP.
WITHOUT THINKING ABOUT IT
SHE CONDEMNS HER OWN SON TO
PUBLIC HUMILIATION.
CRUEL: "I USED MY INFLUENCE WHO
HAVE IT REFUSED"
TRADITIONAL VALUES
TRADITIONAL: "WHEN YOU'RE
MARRIED YOU'LL REALISE..."
PREJUDICED: "AS OF A GIRL OF THAT
SORT WOULD EVER REFUSE MONEY"
IRRITATED WHEN MR BIRLING
PRAISES THE COOK FOR THE MEAL
PROUD: "I WAS THE ONLY ONE OF
YOU WHO DIDN'T GIVE IN TO HIM"
VERY DISMISSIVE OF EVA "GIRLS OF THAT CLASS"
SHEILA BIRLING
DIFFERENT FROM THE REST OF HER FAMILY
QUICK WITTED
SHARP: "HE'S GIVING US THE ROPE - SO THAT WE'LL HANG OURSELVES."
SHE ACKNOWLEDGES SHE ABUSED HER POWER TO PUNISH EVA
HOWEVER REGRETS HER ACTIONS AND UNDERSTANDS THE CONSEQUENCES
STRONG MINDED
SEEN TO BE SENSITIVE AND MORAL. BY THE END SHEILA
HAS CHANGED FOR GOOD.
STRONG-MINDED: "I DON'T BELIEVE I WILL. SO YOU BE CAREFUL."
REALISES AS THE EVENING MOVES ON THAT SHE
HAS TO BE HERSELF IN ORDER TO BREAK AWAY
FROM HER PARENTS.
WISE INSTINCTS
POSSESSES MORAL STANDARDS
PRIESTLY USES HER AS THE "MORAL JUDGE" TOWARDS
THE END. SHE SAYS "PROBABLY BETWEEN US WE KILLED
HER" MANY OF THE OTHERS DON'T GET THAT FAR.
PRIESTLY USES SHEILA TO SHOW THERE'S HOPE FOR CHANGE IN THE NEW GENERATION
SHE HANDS BACK THE ENGAGEMENT RING CLAIMING THEY'RE
CHANGED PEOPLE.
MORE MATURE THAN THE AUDIENCE FIRST THINK
HANDS BACK THE RING TO GERALD WHEN SHE DISCOVERS HIS DISHONESTY
WISE ENOUGH TO SUSPECT ERIC BEIBG THE MYSTERY
FATHER DESPITE NO ONE BELIEVING HER
HOWEVER WAS MORE SELFISH BY ABUSING HER POWER WHEN
HAVING EVA FIRED AT MILWARDS BECAUSE SHE WAS JEALOUS.
SHE'S MATERIALISTIC AS WHEN SHE GETS THE RING, ONLY THEN
DOES THE ENGAGEMENT FEEL REAL.
IN ACT ONE SHEILA'S LANGUAGE MAKES HER SEEM CHILDISH AND NAIEVE.
ONCE THE INSPECTOR LEAVES, THEIR PARENTS WANT THINGS TO RETURN
TO NORMAL, BUT ERIC AND SHEILA AND THOSE TWO ONLY REALISE
SOMETHING HAS TO CHANGE.
SHEILA BECOMES SLIGHTLY LIKE THE INSPECTOR.
1. ASKS GERALD AS MANY QUESTIONS AS THE INSPECTOR
2. REVEALS ERICS DRINKING PROBLEM TO MRS. BIRLING
3. CONTRADICTS AND UNDERMINES HER PARENTS, LIKE THE INSPECTOR
4. SHOCKS ERIC BY REVEALING THEIR MOTHER DENIED HELP TO EVA/DAISY.
HER USING EXPRESSIONS SUCH AS "SQUIFFY" WHICH REMIND THE AUDIENCE
SHE BELONGS TO A YOUNGER GENERATION.
ERIC BIRLING
TROUBLESOME
FEELS ISOLATED FROM HIS FAMILY
APPARENTLY FORCED HIMSELF ONTO EVA WHEN HE
WAS DRUNK. HE DOESN'T REMEMBER