White powder on floor all
around raised circular
platform
Red lights shone onto it.
Made powder glow vibrant
red colour
Effect of sand - dry, hot
conditions
Drum revolve
stage
Big, circular wooden platform which rotated and
could split in half. One half would rise to give
another level
Effective when accentuating
different classes between
captains/lieutenants and convicts
Cyclorama on
back wall
Aboriginal artwork
displayed here
Blue, orange, red stripes
going horizontally across-
feel of being in foreign
country
National Olivier
Theatre
Stage props
Brown, cuboid,
wooden boxes
scattered on
circular
platform
Cargo on/from ship
Multiple hangman's
nooses hung from metal
bar which was suspended
in air from ceiling. Some
hang down. Some wrap
around bar
There all the time- constant
reminder to audience Liz Morden is
about to hang. Eerie/shocking effect
GENRE
Epic Theatre
Linear - narrative
(runs in chronological
order)
Happens over
a long time
Larger than life -
characters are
representative
Lots of events
Style
Realism
Representational
characters
19th Century theatrical
movement seeking to portray
real life on stage
LIGHTING
Neil Austin
When light comes from
above/in front- light, happy,
sunshine (for captains)
When light comes from
below/behind- shadowy, dark
(for the convicts)
Opening scene with Aborigine.
Yellow, warm light onto backcloth.
Shone from below-casts huge
shadow of character
Use of very bright, intense light -
unforgiving feel of heat. Used with
red to emphasise
Prison scene - dark - picked up outlines of people.
Gobo used to project bars onto floor. Haze
machine used and yellow light was shone through
it to create dank, dusty atmosphere. Small
highlights on Liz Morden. Picking her out of
darkness
DIFFERENCES
TO ORIGINAL
PLAY
Aborigine speaks foreign
language (by the end speaks
english - colonisation)
Use of songs - distraction?
lose power of message?
Casting - doubling
up
Gives message - everyone
has potential to be both
convict and captain