only allows for
speculation as to his true
intention
"catch out those not easily caught"
contrasts very well with the
clearly constructed begining
chapters and prologue
constant use of liminality
stairs, windows, lakes, light and dark etc.
reflects the governess's
moral/psychological dilemma
symbolism within the
appearances of the
ghosts
by inviting us to over
analyse this we are self
are being exposed?
Narration
Different diegetic levels
the reader is invited, by the prologue to
judge the governess before hearing her
own account
detatches the story from
reality by giving it such
an anonymous base
setting.
he has relised that the best way
to portray a character is by giving
them a voice
we are able to judge other characters through
the governess's narration
we can see through her
description into the true
innocence of Miles and
Flora
the reader becomes
chillingly aware of the
mounting fear Mrs grose
has of the Governess
Plot structure
very clear structure in which the
appearances of the ghosts happen
the
dissappearance
of flora early on
sudden ending
much of the time is spent in blissful
harmony with the children
"shameless potboiler" each chapter
ending is full of suspense "and that
was all i new"
Writing Style
Long sentences
saturates the narrative, requires closer reading,
easier to miss vital points
'seldom does he make
a direct assertion, but
qualifies and
negatives and double
negative, then throws
in a handful of
adverbs until the
image floats away
upon a verbal smoke'
wandering consciousness allows for the
reader to glean more of the person from
their narration
we are invited by James to
speculate of her feelings towards
Quint/ the master