Chapter 5: Economic Theory, Marxism,
and Material Culture
Human Labor
Labor that involves everything from
designing, manufacturing, transporting,
advertising and selling
Marxist Theory and Alienation
Separation of man's true nature from his sense of self
Consumer Cycle
We purchase things in order to assuage
our sense of frustration with our
situation, not recognizing why we act
the way we do.
Class Conflict/Struggle: unequal distributions of goods
Bourgeoisie: own the means of production, ruling class
Proletariat: the
workers
exploited by the
bourgeoisie
"False Consciousness" (Amrican Dream)
Advertising
Main engine of
consumer/capitalist culture.
Dominates everyday life and
social relationships
Immediate goal is to sell
artifacts/products. Turn
away attention from
exploitation
Henri Lefebvre
Advertising gives all objects their valuation
Industry inducing people to buy objects/products that gives value and status.
Has taken control of everyday life and gives everyone attitudes and sense of style, informing their purchases and lives.
Thorstein Veblen
consumption = enhanced sense of self
Looking for hidden functions of objects to
understand the role they play in our lives. Problem,
never satisfied
Max Weber
Argues Calvinist theology is behind
the creation of capitalism, attitudes
towards possessions
"Divine Providence"
Determines economic fate,
justifies the unequal distribution
of wealth is a great comfort to
those who form the ruling class,
justifying position and lifestyle
Material goods have gained inexorable power over lives of men
Georg Simmel
Deal with the development of the new
models of artifacts we use
Infinite regress in fashion, creating "new" stuff.
Walter Benjamin
Interested in the impact of mass production on objects
Aura = Authenticity
Loss of it in mass produced objects, relies upon the presence of originals,
Art no longer is based on focus on the creative artist and process
Band products/good name attached to the creator
Postmodernism
Dissolves boundaries between elite culture and popular culture
Authenticity not important
Publicity
Language in itself, used to make a single proposal
Feeds upon the real, always about the future buyer.