Criado por Gabby Probert
quase 6 anos atrás
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Questão | Responda |
Jackson Pollock, No. 1, 1948, oil on canvas. | |
Shiraga Kazuo, CHALLENGING MUD, 1955, performance. | |
Guy Debord, THE NAKED CITY, 1957, color psychogeographical map on paper. | |
Asger Jorn, PARIS BY NIGHT, 1959, oil on reused painting. | |
Allan Kaprow, 18 HAPPENINGS IN SIX PARTS, 1959, performance. | |
Robert Rauschenberg, RETROACTIVE 1, 1964, oil and sikscreen on canvas. | |
Richard Hamilton, WHAT IS IT THAT MAKES TODAY'S HOMES SO DIFFERENT, SO APPEALING?, 1956, collage. | |
Claes Oldenburg, THE STORE AT RAY GUN, 1961 &1962, mixed media. | |
Andy Warhol, 1947-WHITE (NEWS EVENT: DISASTER SERIES), 1963, silk screen ink and graphite on linen. | |
Frank Stella, DIA FAHNE HOCH! [RAISE THE BANNER!], 1959, enamel on canvas. | |
Donald Judd, UNTITLED, 1969, galvanized iron and Plexiglas. | |
Robert Morris, UNTITLED (MIRRORED CUBES), 1965-1971, Plexiglas mirrors and wood. | |
Joseph Kosuth, ONE AND THREE CHAIRS, 1965, wood folding chair, mounted photograph of a chair, and a photographic enlargement of a dictionary definition of "chair". | |
Carolee Schneemann, INTERIOR SCROLL, 1975, performance. | |
Valie Export, SQUAT ON, 1972, black and white photograph, vintage print, and India ink. | |
Julie Chicago, THE DINNER PARTY, 1974-1975, ceramic, porcelain, and textile. | |
Robert Smithson, THE SPIRAL JETTY, 1970, Rozel Point, Utah, rock, salt crystals, earth, and water. | |
Christo & Jeanne-Claude, WRAPPED COAST - ONE MILLION SQUARE FEET, SYDNEY, 1968-1969, land art, polypropylene fabric and rope. | |
Alan Sonfist, TIME LANDSCAPE, 1965/1978 - present, New York City - Greenwich Village. | |
Joseph Beuys, I LIKE AMERICA AND AMERICA LIKES ME, 1974, performance. | |
Hans Haacke, SHAPOLSKY ET AL., 1971 , suite of panels with photographs and typed text. | |
Richard Serra, TILTED ARC, 1981, Federal Plaza, New York, Cor-Ten steel. | |
Maya Lin, VIETNAM VETERANS MEMORIAL, 1982, The Mall, Washington D.C., black granite. | |
Rachel Whiteread, HOUSE, 1993, concrete, full cast size. | |
Bernd & Hilla Becher, COOLING TOWERS, 1972, nine black and white photographs. | |
Andreas Gursky, CHICAGO BOARD OF TRADE II, 1999, photograph. | |
Jeff Wall, DEAD TROOPS TALK, 1992, cibachrome photography over lightbox. | |
Bernhard Heisig, THE UNTEACHABLE SOLIDER'S CHRISTMAS DREAM, 1974-1975, oil on canvas. | |
George Baselitz, THE GREAT FRIENDS, 1965, oil on canvas. | |
Gerhard Richter, HANGED, 1988, oil on canvas (from the series October 18, 1977). | |
Cindy Sherman, UNTITLED FILM STILLS, 1977-1978, black and white photographs. | |
Jenny Holzer, TRUISMS, 1977-1979, installation, New York. | |
Barbara Kruger, YOUR GAZE HITS THE SIDE OF MY FACE, 1983, photograph and text. | |
Kara Walker, SLAVERY! SLAVERY!, 1997, cut paper on wall. | |
Renzo Piano & Richard Rogers, POMPIDOU CENTRE, Paris, 1972-1978. | |
Frank Gehry, GUGGENHEIM MUSEUM BILBAO, Spain, 1991-1997. | |
Jeff Koons, PUPPY, 1992, stainless steel, soil, fabric, irrigation system, and plants. | |
Damien Hirst, THE PHYSICAL IMPOSSIBILITY OF DEATH IN THE MIND OF SOMEONE LIVING, 1991, tiger shark, formaldehyde, glass, and steel. | |
Tracey Emin, MY BED, 1998, mattress, pillows, linen, and objects. | |
Matthew Barney, CREMASTER 3, 2002, production still. |
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