Key Works Contemporary Midterm

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FlashCards sobre Key Works Contemporary Midterm , criado por Gabby Probert em 06-03-2019.
Gabby Probert
FlashCards por Gabby Probert, atualizado more than 1 year ago
Gabby Probert
Criado por Gabby Probert quase 6 anos atrás
40
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Resumo de Recurso

Questão Responda
Jackson Pollock, No. 1, 1948, oil on canvas.
Shiraga Kazuo, CHALLENGING MUD, 1955, performance.
Guy Debord, THE NAKED CITY, 1957, color psychogeographical map on paper.
Asger Jorn, PARIS BY NIGHT, 1959, oil on reused painting.
Allan Kaprow, 18 HAPPENINGS IN SIX PARTS, 1959, performance.
Robert Rauschenberg, RETROACTIVE 1, 1964, oil and sikscreen on canvas.
Richard Hamilton, WHAT IS IT THAT MAKES TODAY'S HOMES SO DIFFERENT, SO APPEALING?, 1956, collage.
Claes Oldenburg, THE STORE AT RAY GUN, 1961 &1962, mixed media.
Andy Warhol, 1947-WHITE (NEWS EVENT: DISASTER SERIES), 1963, silk screen ink and graphite on linen.
Frank Stella, DIA FAHNE HOCH! [RAISE THE BANNER!], 1959, enamel on canvas.
Donald Judd, UNTITLED, 1969, galvanized iron and Plexiglas.
Robert Morris, UNTITLED (MIRRORED CUBES), 1965-1971, Plexiglas mirrors and wood.
Joseph Kosuth, ONE AND THREE CHAIRS, 1965, wood folding chair, mounted photograph of a chair, and a photographic enlargement of a dictionary definition of "chair".
Carolee Schneemann, INTERIOR SCROLL, 1975, performance.
Valie Export, SQUAT ON, 1972, black and white photograph, vintage print, and India ink.
Julie Chicago, THE DINNER PARTY, 1974-1975, ceramic, porcelain, and textile.
Robert Smithson, THE SPIRAL JETTY, 1970, Rozel Point, Utah, rock, salt crystals, earth, and water.
Christo & Jeanne-Claude, WRAPPED COAST - ONE MILLION SQUARE FEET, SYDNEY, 1968-1969, land art, polypropylene fabric and rope.
Alan Sonfist, TIME LANDSCAPE, 1965/1978 - present, New York City - Greenwich Village.
Joseph Beuys, I LIKE AMERICA AND AMERICA LIKES ME, 1974, performance.
Hans Haacke, SHAPOLSKY ET AL., 1971 , suite of panels with photographs and typed text.
Richard Serra, TILTED ARC, 1981, Federal Plaza, New York, Cor-Ten steel.
Maya Lin, VIETNAM VETERANS MEMORIAL, 1982, The Mall, Washington D.C., black granite.
Rachel Whiteread, HOUSE, 1993, concrete, full cast size.
Bernd & Hilla Becher, COOLING TOWERS, 1972, nine black and white photographs.
Andreas Gursky, CHICAGO BOARD OF TRADE II, 1999, photograph.
Jeff Wall, DEAD TROOPS TALK, 1992, cibachrome photography over lightbox.
Bernhard Heisig, THE UNTEACHABLE SOLIDER'S CHRISTMAS DREAM, 1974-1975, oil on canvas.
George Baselitz, THE GREAT FRIENDS, 1965, oil on canvas.
Gerhard Richter, HANGED, 1988, oil on canvas (from the series October 18, 1977).
Cindy Sherman, UNTITLED FILM STILLS, 1977-1978, black and white photographs.
Jenny Holzer, TRUISMS, 1977-1979, installation, New York.
Barbara Kruger, YOUR GAZE HITS THE SIDE OF MY FACE, 1983, photograph and text.
Kara Walker, SLAVERY! SLAVERY!, 1997, cut paper on wall.
Renzo Piano & Richard Rogers, POMPIDOU CENTRE, Paris, 1972-1978.
Frank Gehry, GUGGENHEIM MUSEUM BILBAO, Spain, 1991-1997.
Jeff Koons, PUPPY, 1992, stainless steel, soil, fabric, irrigation system, and plants.
Damien Hirst, THE PHYSICAL IMPOSSIBILITY OF DEATH IN THE MIND OF SOMEONE LIVING, 1991, tiger shark, formaldehyde, glass, and steel.
Tracey Emin, MY BED, 1998, mattress, pillows, linen, and objects.
Matthew Barney, CREMASTER 3, 2002, production still.

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