7452977
| Questão | Responda |
| Filippo Brunelleschi, Florence Cathedral, dome,1420-36 | |
| Donatello, David, ca. 1425-30, bronze | |
| Massacio, Trinity with the Virgin, St. John the Evangelist, and Donors, probably 1427 or 1428, fresco | |
| Fra Angelico, Annunciation, 1438-45, fresco | |
| Sandro Botticelli, Birth of Venus, ca.1484-86, tempera on canvas | |
| Raphael, School of Athens, 1510-11, fresco | |
| Michelangelo, David, 1501-04, marble | |
| Vittore Carpaccio, Lion of St. Mark, 1516, oil on canvas | |
| Robert Campin, Merode Altarpiece, ca. 1426, egg tempera and oil on panel | |
| Jan van Eyck, Giovanni Arnolfini and his Wife Giovanna Cenami, 1434, oil on panel | |
| Albrecht Durer, Four Horsemen of the Apocalypse, 1497-98, woodcut | |
|
Image:
Hb 19.164 (image/jpeg)
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Pieter Bruegel the Elder, Harvesters, 1565, oil on panel |
|
Image:
Ambassadors (image/jpeg)
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Hans Holbein the Younger, The Ambassadors, 1533, Oil on oak |
| Parmigianino, Madonna with the Long Neck, 1534-40, oil on panel Mannerism | |
| Agnolo Bronzino, Allegory with Venus and Cupid, ca. 1546, oil on panel Mannerism | |
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Image:
Bernini David1 (image/jpeg)
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Gianlorenzo Bernini, David, 1623, marble |
| Gianlorenzo Bernini, Ecstasy of St. Teresa, 1645-52, marble | |
| Artemisia Gentileschi, Judith Slaying Holofernes, 1620, oil on canvas | |
| Judith Leyster, Boy Playing a Flute, 1630-35, oil on canvas | |
| Jacques-Louis David, Oath of the Horatii, 1785, oil on canvas | |
| John Singleton Copley, Watson and the Shark, 1778, oil on canvas | |
| Thomas Jefferson, Monticello, Charlottesville, Virginia, 1770-1806, main facade | |
| Francisco De Goya, The Third of May 1808, 1814-15, oil on canvas | |
| Joseph Mallord William Turner, The Slave Ship, 1840, oil on canvas | |
| Rosa Bonheur, Plowing inn the Nivernais: The Dressing of the Vines, 1849, oil on canvas | |
| Thomas Eakins, The Swimming Hole, 1883-85, oil on canvas | |
| Pierre-Auguste Renoir, Dance at the Moulin de la Galette, 1876, oil on canvas | |
| Berthe Morisot, Summer's Day, 1879, oil on canvas | |
| James Abbott McNeill Whistler, Whistler's Mother, 1871, oil on canvas | |
| Paul Cezanne, Mount Sainte-Victoire from the Large Pine Tree, 1887, oil on canvas | |
| Jean-Honore Fragonard, The Swing, 1767, oil on canvas | |
| Georges Seurat, A Sunday Afternoon at La Grande Jatte, 1884, oil on canvas | |
| Henri Matisse, Woman with a Hat, 1905, oil on canvas | |
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Image:
The Portuguese (image/jpeg)
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Georges Braque, The Portuguese, 1911, oil on canvas |
| Kathe Kollwitz, The Mothers, 1919, lithograph | |
| Marcel Duchamp, Fountain, 1917, glazed sanitary china with black paint | |
| Salvador Dali, The Persistence of Memory, 1931, oil on canvas | |
| Meret Oppenheim, Object Luncheon in Fur, 1936, fur-covered cup, saucer, and spoon | |
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Image:
Fw Fall 01 (image/jpeg)
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Frank Lloyd Wright, Fallingwater, 1936, wood and stone |
| Dorothea Lange, Migrant Mother; Nipomo, California, 1936, gelatin silver print | |
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Image:
Bourke White (image/jpeg)
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Margaret Bourke-White, At the Time of the Louisville Flood, 1937, photograph |
| Edward Hopper, Nighthawks, 1942, oil on canvas | |
|
Image:
H3 57.92 (image/jpeg)
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Jackson Pollock, Autumn Rhythm: Number 30, 1950, oil on canvas |
| Lois Mailou Jones, Ode to Kinshasa, 1972, mixed media on canvas | |
| Robert Rauschenberg, Odalisk, 1955-58, assemblage on wood | |
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Image:
Hb 1972.724.3 (image/jpeg)
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Andy Warhol, Vegetarian Vegetable from Campbell Soup II, 1969, screenprint |
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Image:
Dinner Party (image/jpeg)
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Judy Chicago, The Dinner Party, 1979, mixed media |
| Guerilla Girls, Do Women Have to be Naked to Get into the Met. Museum?, 1989, poster | |
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Image:
Img000100 (image/jpeg)
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Lisa Fifield, Ghost Dancers Ascending, 1995, watercolor on paper |
| Maya Lin, Vietnam Veterans' Memorial, 1982, black granite | |
| Banksy, Rat with Camera, 2005, stencil and spray paint | |
| Frank Gehry, Guggenheim Museum Bilbao, 1997 | |
| Herzog & de Mueron, National Stadium, 2003-08, steel | |
|
Image:
Tom Shannon (image/jpeg)
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Tom Shannon, Drop, 2009, stainless steel |
| What is the basic building block of any design? | line |
| When referring to color, primary, secondary, and tertiary all reference what? | hue |
| Adding white to any color is called a ___ | tint |
| What is the result when complementary colors are mixed together in equal proportions? | gray |
| What is the relationship of blacks to whites and gray? | value |
| Iconography is? | the language of symbols |
| What term describes the application of thick paint with a palette knife? | impasto |
| What design principle constitutes rhythm, harmony, and variation? | repetition |
| Composition of an artwork means | the arrangement of its constituent parts |
| Linear, atmosphere, and shifting are examples of? | perspective |
| Which term refers to the suggestion of three-dimensional forms via "light and shade?" | chiaroscuro |
| What term refers to the balancing of like forms and colors on opposite sides of the vertical axis of a composition? | symmetry |
| Which of the following techniques constitutes a form of illusionistic painting? | trompe l'oeil |
| When conducting a formal analysis, what should be considered? | only the object |
| When conducting a contextual analysis, what should be considered? | the artist, when the work was created, who paid for the artwork |
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