type of visual content that is at work in a work of art or any commercial design; information that relies on the visual nature of the elements of design/unit forms and principles of visual organization.

represents an idea that is beyond the element's appearance; e.g. the clock face represents a feeling of time pressure

tells a story that may be historical, religious or commercial; e.g. a story presented in "The Crucifixion of St. Peter" by Caravaggio

Changing the way you learn

Question 1

Question

Formal Content

Answer

type of visual content that is at work in a work of art or any commercial design; information that relies on the visual nature of the elements of design/unit forms and principles of visual organization.
represents an idea that is beyond the element's appearance; e.g. the clock face represents a feeling of time pressure
tells a story that may be historical, religious or commercial; e.g. a story presented in "The Crucifixion of St. Peter" by Caravaggio

Question 2

Question

What design elements do you observe in this picture?

Image:

Crucifiction (binary/octet-stream)

Answer

implied lines
organic shapes
value including dramatic value contrast
proportion and scale
symbol of the cross
color

Question 3

Question

What design elements do you observe in this picture?

Image:

Picture1 (binary/octet-stream)

Answer

lines
shapes including positive and negative shapes
variety of textures
vibrant color
value although it is reduced to extremely contrasting values: the lightest and the darkest

Question 4

Question

What design elements do you observe in this picture?

Image:

Picture1 Tilston (binary/octet-stream)

Answer

textures and patterns
color
variety of shapes
volume
figure/ground reversal

Question 5

Question

Horizontal lines are typically the most static. Vertical lines imply potential change. When verticals adhere to the edge of the design, they become tethered and thus lose mobility. Free-floating verticals, on the other hand, seem ready to topple at any moment. Diagonal lines and curving lines are generally the most dynamic.

Answer

True
False

Question 6

Question

Implied line is a suggested line created through the alignment of unconnected forms.

Answer

True
False

Question 7

Question

[blank_start]Gestalt[blank_end] is defined as the whole is different than the sum of its parts

Answer

Synergy
Closure
Gestalt

Question 8

Question

[blank_start]Low-definition shapes[blank_end], including soft edged shapes, gradations, and transparencies, can increase the complexity of the design and encourage multiple interpretations.

Answer

Low-definition shapes
Geometric shapes
Curvilinear shapes
Representational shapes

Question 9

Question

Choose images showing non-representational shapes.

Answer

Image:
Cezanne (binary/octet-stream)
Image:
Mehretu (binary/octet-stream)
Image:
Herrera (binary/octet-stream)
Image:
S Iegel (binary/octet-stream)
Image:
Picture1 Tilston (binary/octet-stream)
Image:
Baldessari (binary/octet-stream)
Image:
Kruger (binary/octet-stream)
Image:
Klee (binary/octet-stream)

Question 10

Question

Between [blank_start]non-objective[blank_end] and [blank_start]representational[blank_end] shapes – these two extremes, [blank_start]abstract[blank_end] shapes are derived from visual reality but are distilled or transformed, reducing their resemblance to the original source.

Answer

non-objective
figurative
curvilinear
representational
positive
negative
abstract
figurative
objective

Question 11

Question

A shape distinguished from the background is called a negative shape, or ground. The surrounding is called the positive shape, or figure.

Answer

True
False

Question 12

Question

The following are principles of Gestalt. Choose all that apply.

Answer

Unity
Closure
Scale
Figure/Ground relationship
Similarity
Contination
Proximity
Visual motif

Question 13

Question

[blank_start]Principles of design[blank_end] are general compositional rules or concepts used to organize the elements that form a work of art

Answer

Principles of design
Elements of design
Unit forms

Question 14

Question

The following are the principles of art:

Answer

Volume
Harmony
Economy
Emphasis
Space and texture
Balance
Variety
Picture Plane
Scale and Proportion
Rhythm and Movement

Question 15

Question

[blank_start]Economy[blank_end] is an organizing concept that points to the use of only what is needed to create an intended affect in a work of art/design.

Answer

Economy
Emphasis
Abstraction

Question 16

Question

An equilibrium of weight or force among visual components in a composition is known as visual balance. There two types of balance used in organizing an image: symmetrical and asymmetrical.

Answer

True
False

Question 17

Question

(Implied) Movement uses deliberate visual pathways to help direct the viewer’s attention to areas of particular interest in a work of art.

Answer

True
False

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Basics of 2-D Design

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	Created by Kalina Winska over 5 years ago