20043606
Beschreibung
Karteikarten von Brendon Busby, aktualisiert more than 1 year ago
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Erstellt von Brendon Busby
vor etwa 5 Jahre
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| Frage | Antworten |
| Winslow Homer, Prisoners from the Front, 1866 | |
| Eastman Johnson, A Ride for Liberty: The Fugitive Slaves, 1862-1863 | |
| Timothy O'Sullivan, A Harvest of Death, Gettysburg, PA, 1863 | |
| Edmonia Lewis, Forever Free, 1867 | |
| Lilly Martin Spencer, Shake Hands, 1854 | |
| John Neagle, Pat Lyon at the Forge, 1826-1827 | |
| Winslow Homer, The Old Mill (The Morning Bell), 1871 | |
| Thomas Anshutz, Ironworker's Noontime, 1880-1881 | |
| Thomas Eakins, The Gross Clinic, 1875 | |
| Thomas Eakins, Max Schmidt, 1871 | |
| Winslow Homer, Inside the Bar, 1883 | |
| Winslow Homer, Northeaster, 1895 | |
| James Abbot McNeil Whistler, Arrangement in Grey and Black (the Artist's Mother), 1871 | |
| William Merritt Chase, In the Studio, 1880 | |
| Kenyon Cox: Eclogue, 1890 | |
| John Singer Sargent, Repose, 1911 | |
| John Singer Sargent, Isabella Stewart Gardner, 1888 | |
| Cecilia Beaux, Sita and Sarita, 1893 | |
| William Harnett, After the Hunt, 1885 | |
| Henry Ossawa Tanner, The Annunciation, 1898 | |
| Mary Cassatt, The Caress, 1891 | |
| Mary Cassatt, At the Opera, 1879 | |
| Mary Cassatt, The Boating Party, 1893-1894 | |
| Robert Henri, Laughing Child, 1907 | |
| John Sloan: A Woman's Work, 1912 | |
| Aestheticism | *focused on decoration *Women (nudes) became a symbol of beauty (replacing male masculinity often represented in paintings) *women were the focus, but not in any meaningful way (often seen as part of the scenery, something ornate). |
| representation of women | *Changed throughout the years *scenery, then to people, then to someone proud and confident |
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