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125142
Painting for the Public 1760-1850
Description
Bachelors Degree Visual Arts Mind Map on Painting for the Public 1760-1850, created by kate.barnard on 07/06/2013.
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visual arts
visual arts
bachelors degree
Mind Map by
kate.barnard
, updated more than 1 year ago
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Created by
kate.barnard
over 11 years ago
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Resource summary
Painting for the Public 1760-1850
Academies
London 1768
contemp war themes
success in war
Paris 1648
exhibitions
paris - exhibitors members only
london exhibitors entry fee
public had access to art
opinions
high art commercialised?
eye catching
primacy of history genre
Death of General Wolfe 1770
democratised
sublime
Copley's Watson & the Shark 1778
primacy of history genre
classical themes
NO modern & violent subjects
sublime popular after 1800
decline of Academy influence
Girodet The Deluge 1806
spectator a victim of history not a participant?
Gericault The Raft 1773
progressive aspects - a way of attacking govt
spectacle - high art/entertainment
asserted the artists liberal values
dominance of classical
classical themes
Oath of the Horatii 1785
democratised
spectator a participant
decline in patriotism
drawing class
women excluded
exhibitions
Paris - priority to hierarchy of genres
BUT Marriage Contract - Greuze 1761
democraticised history genre
challenged history genre - size/moralising
very popular middle class could relate - (Habermas)
London - priority to full lengths portraits
no patronage
Wright's An Experiment Bird Air Pump 1768
challenged history genre
domestic scene
we can reflect/ moralise
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