Created by Lisza Neumeier
almost 8 years ago
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Question | Answer |
Drama and Performance What form of presentation? -realistic? -communication model? -strategies? | -multimedial form of presentation -stage forms influence the audience's experience of the production (relaistic imitation of reality, creation of aesthetic illusion) -distinction between text you read and performance itself -communication model: lack of mediation level (no narrator between stage and audience) -> different levels of communication -showing vs. telling (observing the action as it’s going on vs. narrator who analyses and is commenting on everything) |
semiotics of theatre (theatre codes?) | study of the signs and codes of theatre communication theatre codes: verbal and non-verbal sign systems of the theatre |
VERBAL COMMUNICATION AND THE TRANSMISSION OF INFORMATION IN DRAMATIC TEXTS (4) | -dialoge -monologue -soliloquy -aside |
dialogue | – set the action of a drama in motion and ensure its progression – characterization – medium for conflict, for the clarification of opinions, expounding central themes |
monologue | a character speaks alone, but in the presence of others |
soliloquy | a character is alone on stage |
aside | control of the distribution of information -monological aside -dialogical aside -aside as spectatores |
primary text vs. secondary text | |
Summary Characterisation Techniques | |
telling names | Dolores Haze (Lolita by Vladimir Nabokov) Remus Lupin (Harry Potter) Benvolio (Romeo and Juliet) |
identity | • constructed • performed • relational • mediated by gender, class, race, ability etc. • essentialist and non-essentialist perspectives |
essentialism | -some essence in that person that is natural and given eg.: gender is sth of your essence (it is given) eg. when people say that Boy’s don’t cry because their men and it’s not in their nature, etc (essentialist perspective) -looking how a culture creates notions of gender |
'Race', Racism and representation | (non-essentialist perspective) -one human race -non-essentialist perspective: ‘race’ as a cultural and historical category ≠ fixed or natural -“a way of making difference signify between people of a variety of skin tones [...] Difference exists whether it is made to signify or not. But how it is made to signify is always a result of politics and power, rather than a question of biology. ” (e.g. We all have different ear sizes or types of nails, however how they are made to (not) signify/mea9n something is significant. (for us it doesn't mean) if it means sth, it is in relation with power |
Articulation | Cultural texts do not mean by themselves. They have to be articulated (made to mean in contexts). double meaning of articulation: 1.) to utter, to speak 2.) a truck/lorry, that has some kind of linkage that can be broken |
example of articulation with pictures |
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