Hour has many references to money and riches, contrasting the concept of material wealth and possessions
against love and time spent with a loved one. Line three puns on the word "spend", and is typical of the way in
which the poem investigates the themes of love and money:
The traditional territory of lovers ("Flowers" and "wine") is replaced by alternatives: for example, "a grass
ditch" is an improbable romantic location. There is simplicity and perfection to "the whole of the summer sky",
an image rich in meaning, a visual feast for a loving couple lying down together and looking up. They enjoy
the "Midas light". (Midas was the mythical king whose touch turned things to gold.)
As the poem's title suggests, time is an important consideration for the lovers. "For thousands of seconds we
kiss" is a striking phrase, offering the idea of excess - "thousands" - with the limitation of available time,
measured in seconds. This precise measurement indicates how precious time is to the speaker, a "treasure"
to be carefully counted.
The pleasure and riches that the couple gather in an hour allow them to feel as if they are frozen in time:
"Time slows, for here/we are millionaires, backhanding the night". The hour spent together in the golden light
gives them a sense of power, making them feel as if they can bribe the darkness to hold back, giving the
lovers immense joy and wealth.
There is a contrast between images traditionally seen as romantic (or associated with wealth) and the
ordinary: "Flowers" and "grass ditch" compare to a "jewel" and "cuckoo spit" (insect eggs left on long grass);
"sunlight" contrasts with a "chandelier"; "gold" contrasts with "straw". These contrasts emphasise the romance
of the lovers' time together. Traditional ideas are shown to be unimportant compared to the personal
experience of the two characters.
Hour also makes frequent references to images of light in contrast to the night and the darkness of inevitable
separation. These include: "Bright", "summer sky", "Midas light", "shining hour", "candle", "chandelier or
spotlight". Duffy uses light to suggest a positive, warm, optimistic liaison. Rather than dwelling on the darkness
of separation the lovers make the most of the time they have together.
In the final stanza there is a single-word sentence "Now.". It is simple, like the lovers' situation, and yet has a
strong sense of being complete; nothing more is needed. It celebrates the moment rather than dwelling on the
future or the past.